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| Photo: hanguppictures.com |
It's turning into an overall
marvel: traditional likeness is appearing on disintegrating block dividers and
coarse side avenues in spots like Barcelona, Pakistan, Tasmania, and even
Portland, Oregon, deserted by craftsmen of another participatory guerilla
workmanship development named the Outings Project.
The man behind the mission is
French producer and visual craftsman Julien de Casabianca. As the story sets
out for some, amid an evening searching the Louver, Casabianca was struck by a
disregarded painting of an anonymous young lady by recognized French Neoclassical
craftsman Jean-Auguste-Dominique Ingres. Casabianca needed to free her. So he
took a photo, printed it out, and stuck it on an open building in Paris. His
fantasy: unshackle lesser-known workmanship from their common habitat the
restrictions a white-walled exhibition hall and push them into the unassuming
open's eye.
 |
| Photo: laughingsquid.com |
Stripped of their relevant
foundations, the unidentified verifiable figures (a troubadour illuminating a
cigarette, a thoughtful mother holding her kid, a grinning ingénue wrapped in
mink) tackle a surrealist quality, infusing a specific wonder into generally
unnoticeable corners of urban life—magnificence that may some way or another
have been lost among other historical center masterworks.
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